The Steel Tongue Drum is a modern intrument played with mallets or by hand. Played by plucking metal tines attached to a membrane, the Sansula has a soft, but rich sound. The Sansula is a recent advancement of the Kalimba, which has its roots in traditional African music.
With a vast set of inspiring presets and easy customization, the Sonuscore Origins Series provides extensive possibilities for creative scoring. Two unique instruments combined in the powerful Multi-Arpeggio-Designer (MAD) meld into rich and diverse sonic landscapes. ORIGINS VOL.1: STEEL TONGUE & SANSULA is the first installment of the SONUSCORE ORIGINS Series, a new line of instruments developed by the critically acclaimed team at Dynamedion. Also, create your own arpeggios and exchange them within the whole, completely modular ORIGINS Series.
Choose from numerous tasteful patterns and presets that will kickstart your own creative journey with the instrument and drive your inspiration forward. You can play all instruments independently or in beautiful concord via the build-in Multi-Arpeggio-Designer (MAD).
The ability to play all couples and solo instruments interlocking, independently, with inspiring patterns as well as single notes, chords and rhythms on the fly with full customization options will help you keep an expedient workflow as well as achieve truly unique results. REFINE YOUR SOUND WITH FIVE UNIQUE DREAM COUPLESĭesigned with a focus on user friendliness to facilitate an expedient workflow, the ORIGINS BUNDLE is an excellent solution in the quest for authentic, fresh and captivating musical experiences. What you get: The Origins Bundle includes 10 wonderful playable solo instruments, combined in 5 instrument-pairs, with beautifully interlocked and entwined pulses, patterns and arpeggios. Compose using our beautifully matching dream couples or utilize the uniqueness of each solo instrument to complement your overall sound. Unfold their pure sound and benefit from the authenticity, these acoustic treasures provide you at your fingertips.
Also, it has an additional Hold setting that extends the time keys are held down. The EG has the usual ADSR knobs, but with a perfectly fine-tuned feel. The tempo can be synchronized to the host. The LFO offers triangle and square wave forms, with adjustable wave balance so any wave form between sawtooth and triangle can be selected. The oscillator and the filter can be modulated by the LFO and the EG. It features sawtooth, triangle, and square wave forms with pulse width modulation. The filter is fed by an equally high-quality solid-sounding oscillator, developed from scratch to be completely aliasing-free. FabFilter One’s filter sounds raw but never cheap or ‘digital’, even at full resonance. It has been tuned carefully to achieve the character and warmth of a classic analog synthesizer.
Their new design approach has resulted in the fattest and smoothest self-oscillating digital filter you have ever heard. FabFilter has put tremendous effort in creating the best cut-off filter ever.